Sanz Serif, a makeshift nickname earned as a result of my typographic likes, is the umbrella under which I present the diverse facets of my work: academic research on architecture and urbanism, design speculations, graphic design, curatorial and editorial work, and writings developed individually or collaborately, in institutional settings or independently.

Current focus: Workscapes.


"Researching Automated Landscapes" in Work, Body, Leisure [book chapter]

Work, Body, Leisure, is a book published in conjunction with the Dutch Pavilion at the Biennale Architettura 2018. It includes my new essay about methodologies for researching automated landscapes, among amazing texts by a dazzling set of contributors: Amal Alhaag, AMO, Pier Vittorio Aureli & Maria Shéhérazade Giudici, Jonathan Beller, Beatriz Colomina, Silvia Federici, Ayesha Hameed, Femke Herregraven, Het Nieuwe Instituut, Markus Krajewski, Egbert Alejandro Martina, Francesco Marullo, Constant Nieuwenhuys, Simone C. Niquille, Henk Ovink, Paul B. Preciado, Manuel Shvartzberg Carrió, Ekim Tan, Nathalie de Vries, Mark Wigley, Annemarie de Wildt, and Marina van Zuylen. Edited by Marina Otero and Nick Axel.

The book will be available in May 2018, and can be preordered at the website of Hatje Cantz

See LOU / Lights Out!, APM / FutureLand, and ALA / Automated Landscapes.


Automated Landscapes in 'Logistical Nightmares' [lecture]

On February 21, I will be lecturing on behalf of the research team at Het Nieuwe Instituut on 'Automated Landscapes' in the PhD/MA roundtable Logistical Nightmares organized by Centre for Research Architecture at Goldsmiths University London and Sonic Acts Academy Amsterdam.

Launched by the Centre for Research Architecture at Goldsmiths University London, 'Logistical Nightmares' is a year-long programme of events, workshops, pedagogical experiments, and field investigations that explore the increasing ubiquity and prominence of logistics as a mode for organising social life and politics. Organised by Lorenzo Pezzani and Susan Schuppli at Goldsmiths University of London, in collaboration with Sonic Acts Academy, Netherlands



Release of Off:Re:OnShore [audio documentary]

Road sign in Batanagar, India, 2012. Photograph by Nouman Malik

Today I have the pleasure to announce the launch of “Off:Re:OnShore”, an audio documentary conceived and developed during my residence at the Canadian Centre for Architecture (CCA) as 2015–2016 Emerging Curator, and produced by the CCA. The documentary explores the legacy of industrial offshoring, the effects of corporate actions on the built environment of labour, and the role of architecture in bringing closer ideas of work and the good life. How might architecture and planning reassert the value of human work?

Featuring Keller Easterling, Rosey Hurst, Sarah Labowitz, Rahul Mehrotra, Anne Elizabeth Moore, Maitrayee Mukhopadhyay, Raúl Cárdenas Osuna, and Wouter Vanstiphout.

Listen to Off:Re:OnShore


'Platform Architectures', in Positions (e-flux Architecture)

'Platform Architectures' is an essay commissioned for its publication in Positions, an initiative by e-flux Architecture

'Platform Architectures' continues my explorations on workscapes, and the architectures of industrial innovations.

Positions is a rhetorical space for claims to be made, risks to be taken, and experiments to be rigorously conducted. A platform for the most challenging, provocative, and critical texts being written in the field of architecture today.

Positions is edited by Nick Axel, Nikolaus Hirsch, and Anton Vidokle.

Previous authors published in Positions include: Andreas Angelidakis, Andrea Bagnato, Keller Easterling, Ross Exo Adams, Samia Henni, Nicholas Korody, Reinhold Martin, V. Mitch McEwen, Shannon Mattern, and Douglas Spencer.



WORK, BODY, LEISURE - Venice Biennale 2018

Sisyphus Prototype. Simone Niquille 2017.Het Nieuwe Instituut, the commissioner of WORK, BODY, LEISURE, the official Dutch contribution to the 16th International Architecture Exhibition of La Biennale di Venezia, has announced the commissioned exhibitors at the Rietveld Pavilion in the Biennale’s Giardini, and selected projects for the extended program. I will be one of the exhibitors at the Rietveld pavilion, presenting together with Marten Kuijpers an installation on the built environment of automation. Exhibitors include Mark Wigley, Beatriz Colomina, Amal Alhaag, Simone C. Niquille; and exhibition designer is Floris Vos.

The curator of the 2018 Dutch Pavilion, Marina Otero Verzier, has invited a group of architects, designers, historians and theorists, whose work is a reference for a critical understanding of emerging technologies of automation, and their spatial implications. Each of the contributors will conceive an intervention inside the Rietveld Pavilion as part of the collective exhibition WORK, BODY, LEISURE, and will be in dialogue with the projects developed as part of the extended program:

Amal Alhaag, curator, cultural programmer and radio host, will address technologies of the body and how these are informed by the concept of the cyborg, enslaved and ethnographic body. Alhaag will work in collaboration with The Research Center for Material Culture (RCMC), a research institute within the Tropenmuseum (Amsterdam), Museum Volkenkunde (Leiden) and the Afrika Museum (Berg en Dal), which serves as a focal point for research on ethnographic collections in the Netherlands. Architectural historian and theorist Beatriz Colomina will reexamine the bed as a unique horizontal architecture in the age of social media and will look at its use as a workspace transforming labor. Marten Kuijpers, architect and researcher, and Victor Muñoz Sanz, architect and postdoctoral researcher, will explore the architecture of full automation in the city of Rotterdam and across agricultural clusters in the Netherlands, jointly with Het Nieuwe Instituut and TU Delft. Designer and researcher Simone C. Niquille will unravel the parameters embedded in design software shaping contemporary work spaces and bodies optimised for efficiency, ergonomics and human/machine interactions. Architecture historian, theorist, and critic Mark Wigley, will revisit New Babylon by Constant Nieuwenhuys, and discuss its proposal for an alternate architecture and an alternate society in which human labor is rendered superfluous. Floris Vos, art director and set designer, has been appointed as the spatial designer for the exhibition.

See also: LOU / Lights Out!, APM / FutureLand, ALA / Automated Landscapes.